JEFFREY MORGAN’S MEDIA BLACKOUT #910.596.231!
David Lanz – Liverpool: Re-imagining
The Beatles (Moon Boy) :: Shrewdly eschewing the cloying saccharine sentimentality that mars most Beatle tribute records,
pianist Lanz and his band exhibit a thoughtful jazz-tinged sensibility that sees original melodies tastefully blended into
lush new realms of atmospheric sound such as “Because I’m Only Sleeping” and “Rain Eight Days A Week.”
Add on a couple of sublime Fab-inspired originals and you’ve got an exceptional album the likes of which either Creed
Taylor or Manfred Eicher would’ve been proud to have released during their CTI and ECM heydays.
Fred – Go God Go (Sparks) :: What if George Harrison’s
Beatles had been an ’80s pop band instead of a ’60s pop band?
Yakuza – Of Seismic Consequence (Profound Lore) :: If you’re looking for a
one way doom ’n’ gloom excursion that’ll leave you stranded out where the busses don’t run, then this
is the prog metal album for you. It surprisingly surpasses all aural expectations by fusing ominous ambient atmospherics with
mournful midnight mass saxophones and bone powdering guitar. Season with echoing vocals that evoke the best of Kyuss’
John Garcia and the Obsessed’s “Wino” Weinrich and you’ve got a recipe for disaster—literally.
Please, sir, I want some more.
Matt
And Kim – Grand (Red Ink) :: What if John Catto’s Diodes had been an ’80s synth art rock
band instead of a ’70s punk art rock band?
Dance Party
– Touch (Hell Ya!) :: It sure didn’t take me long to realize that this is a hip hybrid of The Time’s
frail-chasin’ masculinity and the Rolling Stones free-basin’ femininity back when they were going through their
pansy sailor suit and trawled on makeup phase—or am I thinkin’ of the New York Dolls after they went Commie? Either
way, this outrageous oral extravaganza is a smart ’n’ sassy synth-soaked power pop pastiche of disco-dancin’
pud-poppin’ bathroom bliss.
Sevendust
– Cold Day Memory (Asylum) :: Melodic melodies and three part harmonies inharmoniously merge with malodorous
Drano-drinkin’ vocals. File under: Crosby, Stills, Nash & Kilmister.
Great Lake Swimmers – Lost Channels (Weewerk) :: According
to the front cover promo sticker, Mojo mag says this is “Ambient Zen Americana” but that’s an ignorant lie
by a rag that reviews too many records for its own good. I know ambient when I hear it and this ain’t it unless you
consider folk songs sung by a Neil Young impersonator Music For Fairports.
Maria Taylor – Lady Luck (Nettwerk) :: Maybe I’m
dreaming, but on tracks like “It’s Time” and “A Chance” she sounds like a female Eno doing her
own airy side two of Before And After Science. Then again, maybe I gotta lay off them pickles and ice cream before
I go to bed.
The United
Steel Workers Of Montreal – Tree On The Tree (Weewerk) :: They’ve got the greatest band name
since the Reverb Mofos and they’ve got the greatest album cover since Jeff Beck’s Guitar Shop. Then how
to explain that, instead of muslin-bleachin’ metal, I get wonky banjo-pickin’ shades of Boiled In Lead? Beats
me, but I like it.
Kleerup – Kleerup (Astralwerks)
:: Synthesizers! Sequencers! Drone! Need I say more? More!
Brent Randall And Those Magnificent Pinecones – We Were Strangers In Paddington Green
(Endearing) :: If Gilbert O’Sullivan and Julee Cruise had formed the Asylum Choir instead of Leon Russell and Marc Benno,
this might have been the ’luded result.
The Hundred And Thousands – The Hundred And Thousands (Nettwerk) :: Sounding like
Midge Ure’s Ultravox with a Cheap Trick chaser, this might be the ultimate apex of ’80s Euro synthopop.
Tin Star Orphans –
Yonder (Sparks) :: Unlike a double D divorcee with too much hooch under her heaving halter-top, this one takes a
while to get going. But when it does, it quickly unleashes a sensuous six minute violin-laden instrumental that quickly kicks
into shorter schizo songs with gnarly Aqualung vocals which are loaded with personality—and I’m all about
personality.
Barzin
– Notes To An Absent Lover (Monotreme) :: Sensitive soft-spoken songs about lost love and broken hearts that
taps into a sliced open Bryan Ferry vein.
SIZZLING PLATTER OF THE WEEK: Romi Mayes – Achin In Yer Bones (self released) ::
Many moons ago I lauded this hot hellcat for her last release Sweet Somethin’ Special. Well, she’s back
with yet another set of electrified countrified cautionary tales told from a small town woman’s view. Only this time
she seems be in a lot lighter mood, which is even better—but don’t let your guard down ’cause this is one
dangerous dame.
Be seeing you!