Sunday, August 28, 2011
JEFFREY MORGANíS MEDIA BLACKOUT #278
Sun, August 28, 2011 | link
JANITOR OF JEFFREY MORGAN’S
MEDIA BLACKOUT #278!
Alice Cooper –
Alice Cooper Goes To Hell (Warner Bros.) :: Amateur.
Anna Atkinson – Mooniture (self released) :: So I’m spinnin’ the first song and suddenly
thinking that, no, the absolute last thing I wanna do is say that Anna is the new Nico ’cause she seems to
be way too normal to be saddled with that kind of calamitous tag. But every time I hear the viola sonorously slither
up beside her, I get flummoxed into thinking that I’m listening to some kinda vintage John Cale creation before remembering
that, no, Anna seems to be way too normal to be saddled with that kind of calamitous tag. And then I’m spinnin’
the second song which starts: “The inside of my head sounds like a choir of trumpets ever since the accident”
and suddenly I’m thinking that, yes, Anna is the new Nico ’cause she’s way too abnormal to be saddled
with anything less than that kind of calamitous tag.
AC/DC – Highway To Hell (Atlantic) :: Amateurs.
Desmond Grundy – Oddly Enough (self released) :: So I’m spinnin’ the first song and
suddenly thinking that, no, the absolute last thing I wanna do is say that Desmond is the new Lou Reed ’cause
he seems to be way too normal to be saddled with that kind of calamitous tag. But every time I hear the gnarly destorto
guitar grinding up behind him, I get flummoxed into thinking that I’m listening to some kinda vintage Velvet Underground
gradation. And suddenly I’m thinking, yes, that’s cool because nobody sounds like Unca Lou anymore—not
even the old reprobate himself ’cause he’s way too normal these days to be saddled with that
kind of calamitous tag.
– You Must Be Certain Of The Devil (Mute) :: Amateur.
SIZZLING PLATTER OF THE WEEK: Notar – Devil’s Playground (Tyrannosaurus) :: When it comes
to writing and rapping, Notar can go toe to toe with the best of ’em and then best the rest of ’em. What immediately
elevates this admirable effort above and beyond all other recent rap records is the sheer ambitious scope of the studio production
coupled with an accompaniment of eclectic instrumentation that effortlessly oscillates from track to track between hot snatches
of Prince-style synthesizer; deep scratches of melodramatic Queen choir backing vocals; and wet splashes of Zeppelinesque
guitar and strings.
But what really anchors the proceedings
with a rock-solid foundation are the songs, which range in rage from the sulfuric subject matter of the cautionary
title track to the social satire of the anthemic “Alcoholic” to the so-goofy-it’s-great musical history
lesson “Perseverance” which dares to narratively name-check a whole gaggle of groups from the Yardbirds and Velvets
to Boston and Rush. Now that’s what I call being a professional. Bonus points for having a name that, backwards,
reminds me of a 1976 comedy album title.
Bill Cosby –
Bill Cosby Is Not Himself These Days Rat Own Rat Own Rat Own (Capitol) :: Riiight!
Be seeing you!